In his autobiography, Red Hot Chili Peppers bassist, Flea laughs and cries as he looks back on the experiences that made him who he is. From drug use and petty crime to spirituality and human connection, Flea tells it all, leaving no stone unturned. In this gritty memoir, Flea brings his reader to the streets of Los Angeles where he not only stole, smoked, and screwed, but also where he fell in love with music and formed an unbreakable brotherhood. This honest memoir had me eager for each turn of the page and was a nice escape while in quarantine.— From What Hannah is Reading
In Acid for the Children, Flea takes readers on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected prose makes the Los Angeles of the 1970s and 80s come to gritty, glorious life, including the potential for fun, danger, mayhem, or inspiration that lurked around every corner. It is here that young Flea, looking to escape a turbulent home, found family in a community of musicians, artists, and junkies who also lived on the fringe. He spent most of his time partying and committing petty crimes. But it was in music where he found a higher meaning, a place to channel his frustration, loneliness, and love. This left him open to the life-changing moment when he and his best friends, soul brothers, and partners-in-mischief came up with the idea to start their own band, which became the Red Hot Chili Peppers.
Acid for the Children is the debut of a stunning new literary voice, whose prose is as witty, entertaining, and wildly unpredictable as the author himself. It's a tenderly evocative coming-of-age story and a raucous love letter to the power of music and creativity from one of the most renowned musicians of our time.
About the Author
"Acid for the Children is not an as-told-to, nor is it written "with" someone. These are Flea's words-excitable, jazzy, regretful, disarming, popping and writhing away in his biological bass zone. Insecurities to the fore: He worries that he may be producing "a thorny jumble of trash." But he's actually a lovely writer, with a particular gift for the free-floating and reverberant. He writes in Beat Generation bursts and epiphanies, lifting toward the kind of virtuosic vulnerability and self-exposure associated with the great jazz players....Flea-elegant nutcase, funk-at-high-pressure bassist, wildly cultured and culturedly wild man-has written a fine memoir. You'll put down Acid for the Children with your human sympathies expanded; you'll feel less alone."The Atlantic
"Acid For the Children's closest analog is, somewhat surprisingly, Patti Smith's Just Kids...The prose frequently mimics [Flea's] playing: occasionally beautiful, occasionally outrageous, in conversation with a small group of predecessors but unwilling to follow anyone else's rules. This is what gives Acid for the Children its considerable charm..."AV Club
"[An] electric, surprisingly moving memoir...Flea is an enlightened narrator, and this passionate, smart memoir will resonate with readers whether they're fans of the band or not."
Publisher's Weekly, starred review
"[Acid For The Children is] written with the same lyrical, holy goof-ball energy its author brings to all his public activities, and its earnest, eccentric prose reflects Flea's evolution from Hollywood-scene knucklehead to reflective, spiritually clued-in adult."The New York Times