Great prose and spot on language drew me in immediately and as always Atkinson's writing delivered. I found this an original WWII story with a bit of English wit and a political warning thrown in - Nationalism is the first step on the road to Fascism. Fans of her previous works will not be disappointed.— From What Karin is Reading
October 2018 Indie Next List
“In Transcription, Kate Atkinson brings the past of mid-20th-century Britian so thoroughly to life that she almost seems to be reporting rather than inventing. Her details are so rich and her hand so certain that, as readers, we are there — we are walking those streets, sitting in those smoky rooms. And, most of all, we are completely caught up in the emotional power of the tensions and fears of that past. With Juliet Armstrong, Atkinson has given us a remarkable addition to the canon of British spies.”
— Michael Barnard, Rakestraw Books, Danville, CA
In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever.
Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.
Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit, and empathy. It is a triumphant work of fiction from one of the best writers of our time.
About the Author
"Although engrossing from beginning to end, "Transcription" starts at a measured pace, with the tandem narratives only gradually gaining velocity. But when they are finally in sync and operating at peak capacity, the result is exhilarating...Transcription" is another triumph for Atkinson - suspenseful, moving, insightful and original."—The San Francisco Chronicle
"The acclaimed author of Life After Life, Atkinson brings her trademark shar, insightful writing to this fascinating tale of intrigue."—Good Housekeeping
PRAISE FOR A GOD IN RUINS:
"Atkinson isn't just telling a story: she's deconstructing, taking apart the notion of how we believe stories are told. Using narrative tricks that range from the subtlest sleight of hand to direct address, she makes us feel the power of storytelling not as an intellectual conceit, but as a punch in the gut."—Publishers Weekly
"If you loved Atkinson's Life After Life, you're in luck. If you're one of the, say, five people who didn't read it: You're still in luck--Atkinson is a master at the top of her game. A quiet, moving portrait of a guy navigating life's small pleasures and painful failures."—Marie Claire
"Atkinson's genre-bending novels have garnered critical praise, but nothing on the order of a Rushdie, or even an Ian McEwan. A God in Ruins should change that."—Amy Gentry, The Chicago Tribune
"Atkinson writes the way LeBron dunks or Stephen Hawking theorizes; she can't help but be brilliant."
—Leah Greenblatt, Entertainment Weekly
"A novel that takes its place in the line of powerful works about young men and war, stretching from Stephen Crane's Red Badge of Courage to Kevin Powers's The Yellow Birds and Ben Fountain's Billy Lynn's Long Halftime Walk."—Maureen Corrigan, The Washington Post
"As finely crafted as Life After Life...Having spun one great novel out of second, third and 50th chances, she's spun another out of the fact that in reality, we get only one."—Lev Grossman, Time
"Nothing short of a masterpiece. Elegantly structured and beautifully told, it recounts the story of Teddy Todd, the brother of the protagonist of Atkinson's 2013 novel, Life After Life, in his attempt to live a 'good, quiet life' in the 20th century. Characteristically perceptive and poignant, like its predecessor it also gives a vivid and often thrilling account of life during the second world war--seen this time from the air rather than the streets of London."
—Paula Hawkins, Author of The Girl on the Train
PRAISE FOR LIFE AFTER LIFE:
"Kate Atkinson is a marvel. There aren't enough breathless adjectives to describe LIFE AFTER LIFE: Dazzling, witty, moving, joyful, mournful, profound. Wildly inventive, deeply felt. Hilarious. Humane. Simply put: It's one of the best novels I've read this century."—Gillian Flynn, author of Gone Girl